English Practice Question and Answer
8 Q: Select the most appropriate option that can substitute the underlined segment in the given sentence.
The new shop that opened last week are hardly sufficient stock of the products that it advertised about.
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647884d4d0c6d8fd08537a2fThe new shop that opened last week are hardly sufficient stock of the products that it advertised about.
- 1hardly hadn’tfalse
- 2hardly hadtrue
- 3hardly is havingfalse
- 4is hadfalse
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Answer : 2. "hardly had"
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Answer : 5. "Informed"
Q:Read the passage carefully and give the answer of following questions.
Looking back on those days I see myself as a kind of centaur, half boy, half bike, forever wheeling down suburban streets under the poincianas, on my way to football practice or the library or to a meeting of the little group of us, girls and boys, that came together on someone's verandah in the evenings after tea.
I might come across the Professor then on his after dinner stroll; and as often as not, he would be accompanied by my father, who would stop me and demand (partly, I thought, to impress the Professor) where I was off to or where I had been; insisting, with more than his usual force, that I come home right away, with no argument I spent long hours cycling back and forth between our house and Ross McDowell or Jimmy Larwood's, my friends from school, and the Professor's house was always on the route, I was always aboard and waiting for something significant to occur, for life somehow to declare it self and catch me up I rode my bike in slow circles or figures-of-eight, took it for sprints across the gravel of the park, or simply hung motionless in the saddle, balanced and waiting.
This text is written from the point of view of
890 05f3a1c8fe2e6e42e42b780eb
5f3a1c8fe2e6e42e42b780ebI might come across the Professor then on his after dinner stroll; and as often as not, he would be accompanied by my father, who would stop me and demand (partly, I thought, to impress the Professor) where I was off to or where I had been; insisting, with more than his usual force, that I come home right away, with no argument I spent long hours cycling back and forth between our house and Ross McDowell or Jimmy Larwood's, my friends from school, and the Professor's house was always on the route, I was always aboard and waiting for something significant to occur, for life somehow to declare it self and catch me up I rode my bike in slow circles or figures-of-eight, took it for sprints across the gravel of the park, or simply hung motionless in the saddle, balanced and waiting.
- 1an adult reflecting on his boy hoodtrue
- 2a boy recounting his summer holidayfalse
- 3an outsider observing life in the suburbsfalse
- 4an adolescent describing his communityfalse
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Answer : 1. "an adult reflecting on his boy hood"
Q:Directions: Two statement are given followed by two conclusions I and II. You have to consider the two statements to be true even if they seem to be at variance from commonly known facts. You have to decide which one of the given conclusions are definitely drawn from the given statements:
The author used ‘individual opinions’, ‘attitudes’ and ‘preferences’ as examples of
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6391b53c34f83f1472a609af- 1objective data about the interviewees.false
- 2abstract philosophical concepts irrelevant to the interview process.false
- 3psychological properties particular to a given interviewee.true
- 4likes and dislikes common to interviewers and interviewees.false
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Answer : 3. "psychological properties particular to a given interviewee."
Q:Read the following passage carefully and give the answer of following questions.
Art both reflects and interprets the notion that produced it. Portraiture was the dominant theme of British painting up to the end of the eighteenth century because of a persistent demand for it. It would be unfair to say that human vanity and pride of possessions were the only reasons for this persistent demand, but certainly these motives played their part in shaping the course of British painting. Generally speaking, it is the artist's enthusiasm that accounts for the vitality of the picture, but it is the client who dictates its subject-matter. The history of national enthusiasms can be pretty accurately estimated by examining the subject-matter of a nation's art.
There is one type of subject which recurs again and again in British painting of the late eighteenth century and the jart half of the nineteenth and which is hardly met with in the jart of any other country ---- the sporting picture, or rather the picture in which a love of outdoor life is directed into the channel of sport. The sporting picture is really an extension of the conversation piece. In it the emphasis is even more firmly based on the descriptive side of painting. It made severe demands on the artist and it must be-confessed that painters capable of satisfying these demands were rare. The ability to paint a reasonably convincing landscape is not often combined with the necessary knowledge of horses and dogs in movement and the power to introduce a portrait when necessary. To weld such diverse elements into a satisfactory aesthetic unity requires exceptional ability. It is not surprising, therefore, that while sporting pictures abound in England, especially in the private collections of country squires, not many of them are of real importance as works of art. What makes the sporting picture worth noting in, a history of British painting is the fact that it is as truly indigenous and as truly popular a form of art in England as was the religious ikon in Russia.
Up to the end of the eighteenth century British artists chiefly painted portraits because
889 05f3a26181269c22e1267bdf6
5f3a26181269c22e1267bdf6There is one type of subject which recurs again and again in British painting of the late eighteenth century and the jart half of the nineteenth and which is hardly met with in the jart of any other country ---- the sporting picture, or rather the picture in which a love of outdoor life is directed into the channel of sport. The sporting picture is really an extension of the conversation piece. In it the emphasis is even more firmly based on the descriptive side of painting. It made severe demands on the artist and it must be-confessed that painters capable of satisfying these demands were rare. The ability to paint a reasonably convincing landscape is not often combined with the necessary knowledge of horses and dogs in movement and the power to introduce a portrait when necessary. To weld such diverse elements into a satisfactory aesthetic unity requires exceptional ability. It is not surprising, therefore, that while sporting pictures abound in England, especially in the private collections of country squires, not many of them are of real importance as works of art. What makes the sporting picture worth noting in, a history of British painting is the fact that it is as truly indigenous and as truly popular a form of art in England as was the religious ikon in Russia.
- 1they could only paint portraits and nothing elsefalse
- 2they were religiously devoted towards portrait painting and nothing elsefalse
- 3more and more people repeatedly wanted artists to paint portraits and nothing elsetrue
- 4they were highly paid for portrait paintingfalse
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Answer : 3. "more and more people repeatedly wanted artists to paint portraits and nothing else"
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Answer : 3. "As he felt guilty"
Q:Select the most appropriate meaning of the underlined word in the given sentence.
His perverse thoughts were very disturbing so he decided to try seeing a therapist.
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64635b52c899b466f44bb654- 1Convergentfalse
- 2Devianttrue
- 3Cynicalfalse
- 4Logicalfalse
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Answer : 2. "Deviant"
Q:Rewrite the sentence in indirect speech.
Prabha said to Prabhu, "Prem was playing cards."
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6332ed04bf6167733bdbd33e- 1Prabha told Prabhu that Prem had been playing cardstrue
- 2Prabha told Prabhu that Prem has been playing cardsfalse
- 3Prabha told Prabhu that Prem playing cardsfalse
- 4Prabha told Prabhu that Prem plays cardsfalse
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