Direction: Which of the following phrases (I), (II), and (III) given below each sentence should replace the phrase printed in bold letters to make the sentence grammatically correct? Choose the best option among the five given alternatives that reflect the correct use of phrase in the context of the grammatically correct sentence. If the sentence is correct as it is, mark (e) i.e., "No correction required" as the answer.

It is a process where continuity and change are in consonance with each other, where the introduction of a new segment does not subsume the importance of the existing segments.

(I) is in consonance with one another
(II) are in consonant to one another
(III) is in consonance at each other

Choose the incorrect option:
 Connectors join together ______.   

Select the most appropriate synonym of the given word.

Abolish

Select the most appropriate ANTONYM of the given word.

Conceited

Select the most appropriate meaning of the given idiom.

Sit on the fence

Read the following passage carefully and give the answer of following questions.

Art both reflects and interprets the notion that produced it. Portraiture was the dominant theme of British painting up to the end of the eighteenth century because of a persistent demand for it. It would be unfair to say that human vanity and pride of possessions were the only reasons for this persistent demand, but certainly these motives played their part in shaping the course of British painting. Generally speaking, it is the artist's enthusiasm that accounts for the vitality of the picture, but it is the client who dictates its subject-matter. The history of national enthusiasms can be pretty accurately estimated by examining the subject-matter of a nation's art.
 There is one type of subject which recurs again and again in British painting of the late eighteenth century and the jart half of the nineteenth and which is hardly met with in the jart of any other country ---- the sporting picture, or rather the picture in which a love of outdoor life is directed into the channel of sport. The sporting picture is really an extension of the conversation piece. In it the emphasis is even more firmly based on the descriptive side of painting. It made severe demands on the artist and it must be-confessed that painters capable of satisfying these demands were rare. The ability to paint a reasonably convincing landscape is not often combined with the necessary knowledge of horses and dogs in movement and the power to introduce a portrait when necessary. To weld such diverse elements into a satisfactory aesthetic unity requires exceptional ability. It is not surprising, therefore, that while sporting pictures abound in England, especially in the private collections of country squires, not many of them are of real importance as works of art. What makes the sporting picture worth noting in, a history of British painting is the fact that it is as truly indigenous and as truly popular a form of art in England as was the religious ikon in Russia.

Persistent demand for portraiture could be found

In each of the questions given below, three words are given in bold. These three words may or may not be in their correct position. The sentence is then followed by options with the 4 placements of words. Find the correct placement. If the sentence is correct as it is, select ‘5’ as your option.

The blared (A) parlour’s owner night (B) really loud music all tattoo (C) long.

Select the most appropriate meaning of the given idiom.

Face up to