Comprehension Test Questions and Answers Practice Question and Answer
8 Q:Read the following passage carefully and give the answer of following questions.
Art both reflects and interprets the notion that produced it. Portraiture was the dominant theme of British painting up to the end of the eighteenth century because of a persistent demand for it. It would be unfair to say that human vanity and pride of possessions were the only reasons for this persistent demand, but certainly these motives played their part in shaping the course of British painting. Generally speaking, it is the artist's enthusiasm that accounts for the vitality of the picture, but it is the client who dictates its subject-matter. The history of national enthusiasms can be pretty accurately estimated by examining the subject-matter of a nation's art.
There is one type of subject which recurs again and again in British painting of the late eighteenth century and the jart half of the nineteenth and which is hardly met with in the jart of any other country ---- the sporting picture, or rather the picture in which a love of outdoor life is directed into the channel of sport. The sporting picture is really an extension of the conversation piece. In it the emphasis is even more firmly based on the descriptive side of painting. It made severe demands on the artist and it must be-confessed that painters capable of satisfying these demands were rare. The ability to paint a reasonably convincing landscape is not often combined with the necessary knowledge of horses and dogs in movement and the power to introduce a portrait when necessary. To weld such diverse elements into a satisfactory aesthetic unity requires exceptional ability. It is not surprising, therefore, that while sporting pictures abound in England, especially in the private collections of country squires, not many of them are of real importance as works of art. What makes the sporting picture worth noting in, a history of British painting is the fact that it is as truly indigenous and as truly popular a form of art in England as was the religious ikon in Russia.
The motives that played their part in shaping the course of British painting are
965 05f3a2205e2e6e42e42b7bf69
5f3a2205e2e6e42e42b7bf69There is one type of subject which recurs again and again in British painting of the late eighteenth century and the jart half of the nineteenth and which is hardly met with in the jart of any other country ---- the sporting picture, or rather the picture in which a love of outdoor life is directed into the channel of sport. The sporting picture is really an extension of the conversation piece. In it the emphasis is even more firmly based on the descriptive side of painting. It made severe demands on the artist and it must be-confessed that painters capable of satisfying these demands were rare. The ability to paint a reasonably convincing landscape is not often combined with the necessary knowledge of horses and dogs in movement and the power to introduce a portrait when necessary. To weld such diverse elements into a satisfactory aesthetic unity requires exceptional ability. It is not surprising, therefore, that while sporting pictures abound in England, especially in the private collections of country squires, not many of them are of real importance as works of art. What makes the sporting picture worth noting in, a history of British painting is the fact that it is as truly indigenous and as truly popular a form of art in England as was the religious ikon in Russia.
- 1the persistent demand for it and its supplyfalse
- 2the artist's enthusiasm for it and his effortsfalse
- 3human vanity and pride of possessionstrue
- 4the spirit of competition that prevailed then and the encouragement givenfalse
- Show AnswerHide Answer
- Workspace
- SingleChoice
Answer : 3. "human vanity and pride of possessions"
- Show AnswerHide Answer
- Workspace
- SingleChoice
Answer : 1. "a powerful writer"
Q:Comprehension: In the following passage, some words have been deleted. Read the passage carefully and select the most appropriate option to fill in each blank.
Ants, like most insects, have (1) ______ are known as compound eyes. This means their eyes have multiple lenses, (2) ______ in general, most species of ant do not have particularly great eyes for seeing (3) ______ far. Ants can detect movement and see the areas around them, but (4) ______ more on senses and information they get from their legs and antennae (5) ______ from their eyes.
Select the most appropriate option to fill in blank number 1.
964 06435286106979810acd8ec54
6435286106979810acd8ec54Ants, like most insects, have (1) ______ are known as compound eyes. This means their eyes have multiple lenses, (2) ______ in general, most species of ant do not have particularly great eyes for seeing (3) ______ far. Ants can detect movement and see the areas around them, but (4) ______ more on senses and information they get from their legs and antennae (5) ______ from their eyes.
- 1whosefalse
- 2howfalse
- 3whattrue
- 4Whofalse
- Show AnswerHide Answer
- Workspace
- SingleChoice
Answer : 3. "what "
- Show AnswerHide Answer
- Workspace
- SingleChoice
Answer : 4. "Prioritise"
- Show AnswerHide Answer
- Workspace
- SingleChoice
Answer : 1. "Saxons, Angles and Jutes"
- Show AnswerHide Answer
- Workspace
- SingleChoice
Answer : 2. "It results in vegetation on barren lands. "
- Show AnswerHide Answer
- Workspace
- SingleChoice
Answer : 1. "Interest"
- Show AnswerHide Answer
- Workspace
- SingleChoice

